A few days ago a short radio rip for S/mileage’s upcoming new single Tabidachi no Haru ga Kita was released.
So, I like to listen to radio rips at least 6 times before I ever start writing my posts on them, mostly because you don’t notice things like line distribution the first time around, or it takes a time or two to really get a feel for the song. But the time time I was listening to this song I kept thinking how it sounded really familiar especially the dun dun dun dun in the music while they sing tabidachi no, but I couldn’t for the life of me remember what song also did that, and then it hit me.
This entire song sounds like a way toned down version of Morning Musume’s The Matenrou Show. Which explains why I’ve loved this song from the first listen. Obviously The Matenrou Show has more, what I’m guessing are horns, and has a more funk sound to it. But you can’t even deny that Tabidachi no Haru ga Kita as a whole sounds like something Morning Musume would sing. There are even parts where I hear a little bit of Seishun Collection in it. Both songs have those 2 or so violin notes right before they start singing the verse.
I do really like the sound of the song so far. Even if it reminds me of a few other songs. It’s a very sweet and light song. I enjoy it 100% more than I did Samui Ne. And it really does fit the feeling of spring.
About a week ago the radio rip for KAT-TUN’s upcoming single, Expose, was released.
I actually meant to make this blog post sooner, but it actually slipped my mind. So, I’m sorry about that. But there’s no reason to dwell on that now.
I am really impressed with not only this song, but KAT-TUN lately. They’ve really been stepping it up lately. These last 3 singles have been incredible and each new single is better than the last one. And this single is honestly KAT-TUN’s best single to date. I know I just said that about To The Limit, but I wasn’t expecting this single at all.
The song is just really powerful and has a a nice hard rock instrumental. It also has a nice toughness to the way that it’s song. Especially the chorus. I think they’re literally saying wake up beating. I also love really love the way that they had the very last note, it’s the best part of the entire song.
The full radio rip for Kisumai’s My Resistance Tashikana Mono off their upcoming double A-side new single, My Resistance Tashikana Mono / Unmei Girl, was just released. My Resistance will be used as the theme for Tamamori Yuta’s new drama Nobunaga no Chef.
When the song first started I knew I wasn’t going to like it very much. And, honestly, I’m still on the fence about the song. The song starts off with very soft piano music and accompanied with equally sad background music. The entire song sounds very emotional and sad. It’s times like this I wish I understood Japanese.
What I do find odd about this song is that Taisuke seems to be rapping through most of it. Not only does it not really fit with the sad music, you’d figure there would be a much bigger Yuta part in the song since it’s for his drama. I mean a good chunk of the song is Yuta. I mean, come on this is unfair Kisumai of course he’s prominent in the song. I was just expecting Yuta to sing 3/4 of the song.
Midway through the song the whole tempo and feel changes. Which is why I can’t really decide exactly how I feel about the song yet. The music becomes very upbeat and it sounds like the message changes from sad to positive, and maybe even inspiring. I don’t know, I feel like I really have to wait for a translation because this seems like one of those songs that will have great lyrics.
Anyway here’s the preview. My Resistance Tashikana Mono / Unmei Girl will be released on February 13th.
A couple of days ago the full radio rip for S/mileage’s upcoming new single Suki yo, Junjou Hankouki was released. Just because I haven’t mentioned it before, this new single is being released on August 22nd.
Since their major debut S/mileage has been releasing a lot of singles with heavy electronic music, hnd this single isn’t any different. However, I don’t think it’s as strong as their past singles such as Yumemiru 15 sai or Uchouten Love. The overall sound is just ok. It’s honestly a little bit of a letdown for me since S/mileage is usually really consistent with their singles, nearly all of them have been great. This single just falls flat. And it’s another one of those songs where it doesn’t really sound like there’s a chorus. The music barely changes during the chorus and the singing only gets a fraction higher. And even then it’s only for the first 3 lines, then the rest of the chorus sounds exactly like the verse.
The only aspect of this song that I really like is of course the line distribution. It’s actually fair. Which is amazing I was being to forget S/mileage actually has more than 4 members. It sounds like everyone gets a nice amount of lines. But it sounds like poor Meimi and Kana get the least. The most exciting part is that Rinapu actually gets to sing, and a lot. It seems like H!P finally realized they had her join because she can sing. Rinapu gets a lot of her because of her looks, but I was rooting for her to join because of her amazing voice. And she does sound great in this song. Akari and Rina honestly sound the best in this song. It’s just more suited for a deeper voice. And at one part of the song someone’s singing sounds really similar to Chisato’s. It’s either Akari or Kana, I can’t really tell. But, I hope I’m not the only one who hears it.
Last month the full radio rip for Kikka’s 4th single, Koko Kara Hajimarunda was released.
I do apologize dear readers for how old this is and for how long it took me to make this post. But luckily since the single isn’t coming out until July there hasn’t been a PV preview yet and I still have time to write about the radio rip.
The more music I hear by Kikka the more upset I get that H!P let her just float around in the Eggs for so long. Absolutely everything about Kikka is just perfect and flawless. With each release I fall more and more in love with her and her music. And this song does not disappoint at all.
Since debuting Kikka has been releasing a lot of upbeat dance music. And this song seems to be following that pattern. This song has this computerized and electronic sound which I absolutely love. They also managed to do this without adding too much effects to her voice. I think the little bit they added was just the right amount and worked perfectly. Overall the whole sound of the song is just amazing. It’s fun, it’s catchy, and it’s upbeat. And it’s sung with the same seamlessness as all of Kikka’s songs.
Recently the radio rip for the second A-side from Morning Musume’s upcoming 50th single, One-Two-Three/The Matenrou Show, was released.
Now, I just made a post about the One-Two-Three radio rip and said how much I absolutely loved the song. So, I was expecting a lot from this song. I was really hoping for their 50th single to be just perfect. However, this song has to come along and ruin that. Coming after the epicness that is One-Two-Three this song is awful in comparison. Just what happened? Tsunku said that this song was going to be funky so I expected it to be a lot of fun. Especially after how sexy and mature One-Two-Three is.
Instead we get a song that is also mature and sounds like a mix between Morning Musume’s Inspiration and Berryz Koubou’s Shining Power. Which sounds like a winning combination. But somehow it’s just not. And I do like disco-esque songs but for some reason I just have no attachment to this song. It just sounds kind of flat and lifeless. I kept waiting for it to get better and it never did. I don’t know why this single is a double A-side because honestly this song is much more suited as a B-side.
And what in the world is going on with the line distribution? I seriously feel like flipping tables over it. Did the entire world teleport back to 2008 when I wasn’t looking or something? The entire song is sung by Riho and Reina. The entire song! Now, when One-Two-Three came out I didn’t care that it was sung by basically no one but Riho and Reina ,because most girls at least got a little solo. And I was also holding out for this single for the other girls to shine. However, that is so far from the case and the other girls get nothing. And my god, my poor baby Zukki doesn’t have a line in either songs! I get it, Reina and Riho are popular. But that’s only because the other memebers aren’t even given a chance to build a fanbase. They added new members but are still making the same mistakes they did in 2008. What in the world is management thinking? I swear if I didn’t love this group and the girls so much stuff like this would make me give up on Momusu. I’m honestly sick of it. It’s absolutely insane that when Morning Musume was at it’s largest the line distribution was more fair than it is now!
A few days ago the radio preview for Fairies song Tweet Dream, off their upcoming doublr A-side 4th single, has been released.
I can honestly say that I wasn’t expecting the song to sound the way it does at all. I’ve grown accustomed to Fairies mature sound. It’s actually what drew me to them in the first place. That they were so different than other idol groups. Tweet Dream is actually too cute of a song and the complete opposite of what I expect from them. I do realize that this isn’t their first time releasing this type of song. But Sweet Jewel was a better song and had a charm to it. Granted that charm came from the fact that is sounds a lot like Diamonds by Princess Princess.
I’m just really disappointed by this song. It’s lacking the power and emotion of their other songs. It doesn’t pack a punch at all. Most of their other songs draw me in with a catchy chorus or interesting music. They are going for this cutesy electronic sound that just does not work for them. Ironically, if practically any other group made this song I might enjoy it more. Though I’m not 100% sure about that. As I’ve said before I hate songs that don’t pick up in the chorus and stay the same level the entire song. Which is exactly what this song is doing. The music also isn’t bold enough. I love all the cute background effects because they remind me of Internet Cupid by Buono. I just wish they were used more.
After Morning Musume performed one of their A-sides off their upcoming double A-side single, One-Two-Three/The Matenrou Show, we finally have the official audio via a radio rip and the dance shot version.
By now this song is so old to the fans, it’s even pretty old to me since I’ve been listening to it since it first came out. But I realized that I haven’t said anything about the song yet on this blog yet. Which is pretty awful, and I absolutely have to write about it here. But that’s all I’ll be doing in this post, writing about the song. Even though at the bottom of this post I will be posting the dance shot version I will not be commenting on it. Mostly because it will spoil my review of this PV.
Now, if you follow me on twitter or tumblr you won’t be surprised when I say right now I am 100% in love with this song. It is absoulte perfection, it’s flawless, it’s incredible, I just love it. If this song was a person we’d be married by now. Yeah, I love it that much.
But of course much like with every idol song that gets released the responce is spilt in half. And I’ve read a few people that just aren’t impressed with this song and do not like it. Which I don’t get. Mostly because nearly every Momusu fan was head over heels with Renai Hunter and One-Two-Three is basically the same style. But it’s also the same style as Renai Hunter and about 600 times better. So, I really don’t understand the indifference. When Renai Hunter was out I absoultely loved it, it was my jam. But after hearing this Renai Hunter is a little lame in comparison.
What everyone seems to dislike about this song is everything I love about it. As, I’ve said before I live in the US and the past 3 years or so the popular music has been dance music with heavy auto-tuning. And as I’ve said before, I’ve loved every single second of it. I absolutely love auto-tuning. It just makes songs catchier and more danceable. People hate auto-tuning because it makes mediocre singers sound better, which is true. But that doesn’t really stop me from hating this song or auto-tuning in general. I mean, I know some of the girls of Momusu can sing, so I’m not bothered by it.
And if the song is good people should be able to get over auto-tuning. Personally, I cannot stand dubstep. So, when I first heard Renai Hunter I was a little put off. But once I got past that, the rest of the song was awesome. Just like with this song. I love everything about it. I always thought that Ok Yeah should have been a single, so I’m thrilled to hear a song along the same lines become one. I have been listening to this song nonstop since they first performed it. It’s mature, it’s sexy, it’s fun, it’s energetic, and it’s danceable. You can’t really ask for a better song. I’m not sure how Momusu’s 51st single is going to be able to top this.
Yes, the line distribution is not ideal. But the song is so incredible that I can overlook it. The song is Riho and Reina lead, which we were all expecting so I don’t know why anyone is surprised. What is surprising to me though, is the minor leads of this song are Ayumi and Haruna. Ayumi is obviously the pushed girl of the 10th gen, but why Haruna? I guess they figure fans will respond more to her fashionable/sexy image. Which kind of sucks since she’s the weakest singer of the 10th gen. The rest of the girls seem to just get literally a syllable. Except I don’t think my beloved Zukki or Mizuki get solo lines at all. Which is a little ridiculous. But I’m not really that bothered because Zukki doesn’t really fit this type of song anyway. Hopefully she’ll be able to shine more in The Matenrou Show. And if not at least she’ll stil have the 9th gen B-side.
A preview for KAT-TUN’s upcoming new single, To The Limit, was recently aired on Kame’s radio show.
Anyone and everyone who happens to be reading this post absoultely MUST listen to this radio rip, whether you’re a KAT-TUN or male idol fan or not. This is by far the greatest KAT-TUN singles I’ve ever heard. And it’s easily one of their best, if not the best, songs period. I have listened to this song about 15 times now. I litererally cannot express in words just how completely phenomenal this song is. I mean, the song is so intense that at one point in the song Koki actually says fucking my mind. Now, normally that would be hilarious, but for some reason it actually works in this song.
If I was to describe this song it’s like old school rockish KAT-TUN, but a hundred times better. It’s like if you somehow mixed Real Face, Gold, Taboo, Lips, and Don’t You Ever Stop and played them simultaneously. The song is just absoultely incredible. It just has this amazing blarring rock music but still sort of heavy dance music mixed in at the same time. I have never been this impressed with a KAT-TUN song ever.
I also really love the way it’s sung. Most of the verse is rapping. But it’s not the usual just Koki rapping. Of course Koki does lead the rapping, but everyone else is also rapping. Which actually sounds better than you would expect. Especially since Koki always tries to get the members to rap in concert and only Taguchi could ever really keep up. But of course like most songs the best part is the chorus, but not really by much because the verse and bridge are seriosuly just as good. It’s just that the chorus is sung extremely powerfully. It’s just just amazing. And it sounds like Koki has some solos in the chorus which is amazing. Featuring Koki so much in the song really adds a nice roughness and gruffness to the song. And Koki bias aside, he’s absoultely perfect for this type of song. Of course Kame does have a lot of solos too, he has this big solo part towards the end of the song. But even during group parts you can hear Koki’s voice the most.
Recently the full radio rip for S/mileage’s upcoming new single, Dot Bikini, was released.
I have been addicted to an absolutely in love with this song since the first listen. Not even the first listen I was hooked after the first few seconds after the music kicked in. The main reason I love this song is because it has a very distictive H!P sound. The drumming in the beginning of the song sound almost identical to the drumming in the very beginning of S/mileage’s Asu wa Date na no ni, Imasugu Koe ga Kikitai. And the music itself sounds like a mix between Berryz Koubou’s Halation Summer and Ongaku Gatas Yattarouze. And I absolutely love that about this song. The music is fun and very tropical sounding. I love all the background yays it just adds to very energetic feel of the song. And I also love how they repeat the same words over and over it reminds me of how they sung OO Ganbaranakutemo Eenende.
I’m a little disappointed by the line distribution. Before the 2nd gen joined S/mileage had the most fair line distribution in all of H!P, partly because they were the smallest group. With the 2nd gen here and Yuuka gone we can finally see how the line distribution is going to be, because Dot Bikini is following the exact same format as Chotto Matte Kudasai. Were Ayaka, Kanon, Akari, and Meimi get the most lines and Kana Rina only got one line. I’m pretty sure they only get 1 line. But to be honest it’s still a little hard to distinguish the new member’s voices. Since Meimi has the same tone in her voice as Ayaka. And Akari and Rina have very similar tones in their voices. But I’d like to assume Kana and Rina got at least 1 line a piece.
A short radio rip of Morning Musume’s upcoming single, and Risa’s graduation single, Renai Hunter has been released.
Well this is certianly something that I would have never expected to come together, Morning Musume and dubstep. And I gotta say that it is throwing me off a bit because I don’t get the appeal of dubstep at all. But luckily the dubstep only lasts for a little bit in the beginning of the song. And most likely during the instrumental break, but since this isn’t the full song I honestly have no idea. After the dubstep ends the music does transform into some awesome dance music along the lines of what Morning Musume has released before. The musics reminds me of a toned down version of C-ute’s Kiss me Aishiteru mixed with Momusu’s Aishite Aishite Ato Ippun. And I really do like the music, it’s danceable and more importantly it’s powerful. It really is the perfect type of song for Risa to graduate with. It’s the type of song that really showcases her powerful and deep voice. I also don’t really mind that Reina is co-leading the song with Risa since she did the same thing with Ai in her graduation single. And I’m pretty much prepared to be bombarded with even more Reina from now on since when Risa leaves Reina will become the best singer in the entire group. I do wish we heard a bit more from the other members, but this is Risa’s song so I get why we don’t.
This song is a nice throwback to Morning Musume’s “Emo Musume” era, and it is nice to hear this type of song again since I became a fan of Momusu just a few singles before that era. But now that we’ve had the throwback singles for the 5th gen, and everyone with a mature image is graduating, they really need to hang up this sound for a while. After this Reina will be the member with the most mature image. Actually I think they are going to give Haruna a cool and fashionable, maybe even slightly sexy, image. But it’s still to early to really tell. Especially since Sayumi told her she should try for a funny or air head character. I know I sound like a broken record over here, but I want super ubeat energetic Morning Musume back! And I won’t be happy until I do.I’ve been waiting 5 years here, I think it’s time.
Recently the full radio rip for Kisumai’s 3rd single, She Her Her, was released.
You know, before Kisumai debuted I had this misconception that they only released rock songs like FIRE BEAT. But after they debuted and I started to go back and listen to their old songs I found out that they have pretty much always released the same type of upbeat songs that all Johnny’s groups release. And She Her Her isn’t really any different. But I can’t really say that I mind, because I love this type of idol song. What really draws me to this song is that is sounds like something NEWS would release. The song is really nice. The music is pretty slow paced, but does have a bit of low dance music in the background. Overall it’s really soothing to listen to. And sounds like a sweet sappy love song we’ve come to expect from JE. I also really love Taisuke’s rap parts in the song. I like that the music changes up a bit and adds a guitar riff.
But I absolutely do not like the She Her Her chants throughout the song. The breathy way they are sung come off as awkward instead of sexy and throw off the whole song. They only appear in the beginning and after the instrumental break, but there’s such a disconnect from the rest of the song.
While I do love the happy and sweet sound of this song I don’t really think it’s strong enough to be an A-side. I could see this song much better suited as an album song in their debut album. Especially following their first 2 singles which had strong dance beats.
Recently the full radio rip for Yamapi’s upcoming singles Ai, Texas was released.
I’m really surprised with the way that this song sounds. It’s so not like something Yamapi would make. And not even because lately he’s been releasing electronic dance music. The song is just so unYamapi, if that even makes sense. It just doesn’t really fit his voice. But I actually do really love the overall sound of the song. The music is this very soft sort of ballad like rock music. But the whole reason I love the music is because it sounds like something Buono would do. It sounds fairly similar in style to Take It Easy by Buono or even 1/3 no Junjou na Kanjou. (and yes, I am well aware that Buono’s version is a cover.) Also the last line’s of each verse where he changes the pitch and extends the lines sounds exactly like what Momoko does at the end of her lines in the verses of Buono’s Independent Girl.
But, I think the chorus of this song throws off the flow of the song entirely. It’s one of the only times in a song where the chorus isn’t the best part. It just sounds really awkward. There’s this weird echo effect on his voice that makes it sound really odd and creepy. And the same time it makes the chorus sound super serious and corny.
But favorite part of this song by far is Yamapi’s speaking parts. I’m just a sucker for when he speaks in songs. His speaking parts have always been my favorite parts of NEWS’s Bambina and Akaku Moyuru Taiyou. What can I say, Yamapi has a hot voice.
The full radio rip for Arashi’s upcoming new single, Wild at Heart, was recently released.
When I first listened to this song I did not like it at all, but literally by the time I was halfway through with the song I was into it. And I admit the song is a little strange. But at the same time it’s so Arashi like. The music has this retro feel to it. I can’t exactly pin point when, but maybe the early 70’s sometime around there. I really love that this single is happy and upbeat. Lately Arashi has been releasing a lot of mature songs, which is fine but this is my favorite kind of Arashi. I just love how this song is so unserious this is honestly one of the best Arashi songs in a while. It has a really fresh sound. It’s super fun and addictive. Songs like this remind me why I love idol music so much.
I am really looking forward to the PV now. I’m hoping for something along the lines of Happiness or Kitto Daijoubu. I also hope that Arashi will release more than 2 singles this year. That 9 month gap in 2011 was awful.
Recently a short radio rip of Hey! Say! JUMP’s Super Delicate was released.
I gotta tell you, I love this song more and more every time that I hear it. The music is just absolutely perfect. It blends heavy dance music with some salsa influences thrown in. It honestly sounds like a mix between Over, Beat Line, and Shinku. I love that the beginning of the song starts with a really sweet and soft note from Ryosuke, accompanied by equally soft music. And I also love that that soft music lingers for a few second as the heavier music of the verse builds. For the most part the song is sung very softly which is a great contrast to the heavy dance instrumental. And it does lighten the song a bit. And of course the chorus of the song is amazing. The music and singing really pick up, and there are a lot of great extended notes. The song has a very mature sound and it also sounds very passoniate. Like the members are singing this with a lot of emotion. The only thing that could make this song absolutely perfect is if the line distribution was even remotely fair. Yet again the only person that gets a solo is Ryosuke. Hey! Say! JUMP has 10 members, I’m really getting sick with just hearing one of them. Pretty much every other Johnny’s group lets the other members get lines. Except for Kisumai, but even then it’s 3 members that get lines. Yes, Ryosuke is an amazing singer, but he’s not the only amazing singer in Hey! Say! JUMP. Takaki’s voices is absolutely perfect for this type of song. And if you listened to Beat Line you know that Hikaru’s and Yuto’s are also perfect for this type of song. It seems like whenever Ryosuke is in a drama they use it as an excuse for him to get all the solo lines. I think the infamous Hitomi no Screen proves that. But the real ridiculous part of this is that both Ryosuke and Yuto are in the drama. I get that Ryosuke is the lead, but Yuto gets nothing for being in the drama too? It’s really getting stale only hearing one member. What’s wrong with having another song as fair as Arigatou ~Sekai no Doko ni Itemo~? Well, even in Arigatou Inoo, Keito, and Ryutaro were shafted. But 8/9 would be a massive improvement.
Recently a radio rip for C-ute’s upcoming new single, Kimi wa Jitensha Watashi wa Denwa de Kitaku, was released.
When I first heard this song and saw that it was a ballad I was a little disappointed. I’m sure everyone is well aware by now, that I don’t really like ballads. I’d honestly prefer to idols to make hyperactive, energetic, upbeat songs 24/7. Which is obviously not possible. And because of that I was initially disappointed by the song. But only initially. Once I started to really listen to the song and listened to it a few times I really started to like it. I actually do appreciate who it is a break from their recent upbeat singles. The sound is very soft and soothing. It really is a refreshing song. I also appreciate that this song is any old ballad with bland music. No, instead the music is the best part of this song for me. I love that it’s a soft rock song. You know, something you’d hear on the Monster Ballads compilation album. The song really does have that 80’s rock ballad sound. And I absolutely love that about this song.
A radio rip for Morning Musume’s 48th single Pyoko Pyoko Ultra has recently been released. This single is Morning Musume’s first single without Ai-chan, when Risa as the leader, and the debut of the 10th gen.
With that being said I was very anxious to see what kind of song this would be since it’s a completely new Morning Musume. I was expecting a lot from this single, and I am honestly upset that the song didn’t really live up to my high expectations. The song isn’t terrible, but it could have been a lot better. The song is still childish like I wanted it to be, be it’s not fun or overly energetic like I wanted. The song sounds like a B-side. And there isn’t a hook or really anything catchy about it. It it completely impossible to tell the difference between the verse and chorus. I also don’t like all of Tsunku’s background voices. And there seems to be another random deep voice in there. It sounds like the voice from C-ute’s LaLaLa Shiawase no Uta or S/mileage’s Koi Booing Buu. Unless both of those voices were Tsunku, but it honestly don’t think they were. I do understand that the song has to be simple because 3/4 of Morning Musume are unskilled new members, who can’t really handle a bigger song. But 9th gens debut was still energetic. They could have done the same thing for the 10th gen. Where Risa and Reina would have just taken the high notes this time. And I would love to comment on the line distribution, but I can’t 100% tell who is singing when. I can hear that Reina, Risa, Sayumi, and Riho have solos. But beyond that I can’t really tell. I think I also hear Zukki but I can’t make out the 10th gens voices at all yet. But it sounds like there are at least 2 10th gen members with solo lines. I think it’s Ayumi and Haruna. Because Masaki’s and Haruka’s voices are very distinctive that I would right off the bat tell it was them. Unless Haruna doesn’t always sing with her “husky” voice.
Recently on Hey! Say! 7’s radio show they released a mall preview for NYC’s upcoming song Wonderful Cupid. Since Nakayama Yuma’s solo song, Garasu no Mahou, has already been released digitally I thought I’d also post about that song too. I do apologize for this post being so late, it just completely slipped my mind.
Let’s start off with my reactions to Wonderful Cupid. I am just completely underwhelmed by this song. It songs nothing like previous NYC singles, and nothing like what I was expecting at all. The song is a very soft sounding ballad. People have said that it sounds like a lullaby and I agree 100% with that. The song sounds very sleepy, and child like. I’m not really into the song at all.
Next is Yuma’s solo song from Playzone Garasu no Mahou. Now, this song I like. This song is also sung very light and soft for the most part, so it does match with Wonderful Cupid in that sense. But the music is completely different. It has this great dance beat to it. It also has this very sad and heartbreaking feel to it. Which matches the sad lyrics of the song. All around this song is very sad and beautiful. It’s also sung pretty well. I never thought Yuma was really that amazing of a singer. He’s good, but there are certainly more talented singers in Johnny’s. But he really sounds good in this song. It fits his voice perfectly. I just really hope they don’t change anything about this song now that it’s being released as a single.
A few days ago the full radio rip for Kis-My-Ft2’s upcoming seconds single, We Never Give Up, was released.
I have said many, many times before on this blog that I’m not really a Kisumai fan. But when I first heard Everybody Go on Shounen Club I thought it was amazing, I even hoped it would be their first single. Which obviosuly it was, but that was announced about 2 months after the Shounen Club performance. It was the type of song that could make me become a Kisumai fan. So, I took this second single as pretty much the defining moment for me, to see it it would push me over the edge to the fan side. Sadly, I don’t really think this song is strong enough to do that. On the first listen this song sounds like Everybody Go part 2. Both songs have the exact same vibe and have nearly identical music. It’s sort of this soft rock type of music that is so soft in the beginning and middle of the song it’s almost unnoticeable. And it only really picks up in the chorus, but even then it’s only 1 degree higher. (Ok, degree is NOT the correct word, but what do I look like a composer? I’m sure you get what I mean.) Which is the exact same format of Everybody Go. Seriously listen to both songs back to back, they sound nearly the same. Except Everybody Go uses more synthesizer, which gives it a slightly heavier almost dance beat. But We Never Give Up still uses plenty of synthesizer througout the song. Since both songs are so similar I don’t actually hate We Never Give Up. The song is catchy, it’s maybe a 5/10. But I’m disappointed by how lazy and unoriginal the arrangement of the song feels. Kisumai can, and has, done better. It seems after their debut was announced they completely threw their original sound out the window for what would appeal to the masses. Which is really a shame, because their songs as Juniors were a lot better.
The full radio rip for KAT-TUN’s upcoming new single, Birth, was released a few days ago.
The full radio rip isn’t really all that different than the preview of the song we heard about a week ago. Besides that we now know that Kame has solos at both the beginning and end of the song, the song sounds pretty much exactly the same. The second half of the song sounds exactly the same, which is a little sad. I was waiting fro some grand high notes. I mean, it’s a Kame centered song let’s hear some of his amazing high note. I was also expecting at least 1 other member to get a solo line. But obviously that doesn’t happen. I actually think at about 2:21 it sounds like Ueda is sining about 3 words solo. But at the same time it also sounds like it could be Kame. I gotta say the song is really growing on me. Even more than the last time I hear it. After hearing the radip rip about 6 times now, I’m starting to really be a fan of it. Especially the chorus, it’s so catchy. I actually think it’s a much better song than Run For You and White.
Avex idol group AAA is going to release their 30th single, Chare & Go, on November 16th. A full radio rip for the song was released a few days ago.
I am completely surrprised by this song. When the song first started I didn’t like it at all. It’s far too slow paced and the music reminds of Christmas music for some reason. It is sung beautifully however. Especially Nishi’s parts. But than, for absolutely no reason at all, the style of music pulls a 180. And the song is the heavy electronic music we are used to. And I actually prefer AAA to make. And once that happens I’m actually starting to really love the feel of the song. But just as quickly as it started the music pulls a 360, and we’re back to the same style from the beginning, but with a little bit of dance music thrown in. And that happens about 3 or 4 times throughout the song. But apparently that was weird and confusing enough, because AAA then incoporates 2 other different music styles. During Mitsuhiro’s rap they music slows down completely until it’s just a few beats. Which is actually kind of cool because they do things like that in America music all the time. The song then follows that beat and it changes to slow piano music for Misaki’s and Chiaki’s solo lines. The whole song is weird from start to finish, and is a bit of a jumbled mess with 4 or 5 different sounds randomly strung through it. Saying this composer wasn’t sure what direction to go with for the song is an understatement. But you know, I love absolutely every minute of it. It’s really a song that has something for everyone. You don’t like the sound of the song so far? Don’t worry the music will change 100% in about 30 seconds. How often do you really get to say that about a song? I wasn’t sold on the song at all, until about a minute passed and the music changed. And suddenly I was a fan.
The full radio rip for Buono’s upcoming 13th single, Deep Mind, has just been released.
I’m gald that aftering releasing the extremely soft Natsu Dakara Buono is releasing another rock song. However, I am just not into this song. Despite it having a rock beat the music isn’t intense or powerful enough. It is still rather slow paced, and doesn’t really pick up the entire song. The singing also adds to the bland washed up feel of the song. The singing itself feels very lazy, and there are several parts where it doesn’t feel as polished as it could be. Like Miyabi’s solo right before the bridge. Which is really disappointing as Miyabi has one of my favorite voices in all of H!P, and she’s better than that. This song as doesn’t really know what style it wants to be, as towards the end of the song they switch to autotuned electronic voices briefly. Which I guess is supposed to be a nod to their mini album Partenza. Which honestly had better songs than this single. Partenza ~Let’s Go~ was a pretty weird song, but I absolutely loved it because Buono just went for it. I hate to say it but Buono’s past 2 singles (This single and Natsu Dakara.) have hardly been their best. And at this point I kinda wish they split Zassou no Uta and Juicy He@rt into 2 singles, just because both songs were great.
A few days ago the full radio rip for Mobekimasu’s first single, Busu ni Naranai Tetsugaku, was released. And this really slipped through the cracks. I don’t know what I missed this.
After listneing to this song a few times, I am actually starting to really like it. Which is a big jump than how I felt about it after the first preview. I actually kind of hated this song. But after hearing it all the way through your really get to hear all the interesting music throughout. There’s no way to really describe it. It’s like disco, funk, and electro all rolled into one. What I really like about this song is the singing and music changed completely during the verse, bridge, and chorus. Which is really fun, and gives the song an interesting unique feel from start to finish. They only part of the song I don’t like is how extremely unfair the line distribution is. I’m pretty sure that only Reina, Risako, and Airi have solos. Which is ridiculous. They should have at least given all the leaders a line. But H!P All Stars wasn’t fair either, so I guess they were sticking with how things always were.
The full radio rip for French Kiss’s upcoming 4th single, Saisho no Mail, has just been released. It might be the full rip but French Kiss talks over about half of the song, which honestly annoyed me to no end.
I’m not really into what I hear so far. The song is very soft and elegant. A very light and airy song. That no doubt has some heartwarming lyrics, about a first love letter or something along those lines. Which is fine, and standard idol far. But the song itself is far to slow for my taste. I’ve said it a hundred times before that I am not a big fan of slow paced songs at all. For me to actually like a slow song, it better have such beautiful lyrics that tear well up in my eyes. Somehow, I doubt this song is like that. The song is sung beautifully, but it’s just not my cup of tea.
The full radio rip for Arashi’s upcoming single, Meikyuu Love Song, was released a few days ago. The rip is only about half the song, but it’s much more than we’ve heard before.
The more I listen to this song the more it reminds me of Love Rainbow. A lot of the music is nearly identical. I mean, play the 2 choruses back to back, you’ll hardly be able to tell the difference. The song itself is the same generic Arashi fare they’ve been releasing lately. Which is really sad, because they are better then is. The lyrics are pretty much the same as always. That no matter how far apart we are, or lost yout are, we’ll always be connected. Which is completely boring and stale. The only thing I do like about this song is that everyone gets a solo line. But if that’s the best part of a song, there’s a problem there.
A full radio rip for Berryz Koubou’s and C-ute’s first ever collaboration single, Amazuppai Haru ni Sakurasaku, has been released.
I absolutely fell in love with this song the moment I heard it. It’s completely upbeat and happy. It honestly sounds like a song for an anime. It’s not really the type of song I had in mind when their collab was first announced. To be quite honest, I’m not exactly sure what type of song I had in mind. But it wasn’t this. I am pleasantly surprised by how much I like this song. The song actually reminds me of something Mano Erina would release. Which just shows how much more I’d like ManoEri if she was a better singer. I love this song so much that I’m not even bothered that the entire song repeats the same clapping beat. I am a little disappointed that their aren’t any solo lines. I guess they didn’t want to upset fans if the line distribution wasn’t fair. Because let’s be honest, it would be extremely Berryz heavy since they have 2 more members. I can’t even really tell who’s singing when. I am completely not used to their voices being mixed together. You’d think that with all of the concerts I’ve seen I would be able to. I honestly think giving no one a solo was the easy way out. I’m hoping that the Berryz Koubou and C-ute versions of the PV means we’ll get Berryz Koubou and C-ute versions of the song. If not I’ll be utterly disappoined.
All in all, I think the song is great. It’s a lot better than Mobekimasu’s song.
It was announced recently that NMB48 will be relasing their second single. The single is entitled Oh My God! and will be released on October 19th. With exactly 1 month until the release date we also have a radio rip for the song. Quite honestly, this single seems incredibly rushed to me.
I am a little dissapointed by the song. It’s nowhere near as strong as their debut single. The music and singing are both too simple, soft, and bland. To me it sounds like the B-sides that AKB48 releases. I’m not hearing a sound that is uniquely NMB48. This song is incredibly forgetable. Which is sad, because I absolutely loved Zetsumetsu Kurokami Shoujo. With so many AKB48 sister groups to keep track of it seems like they honestly don’t know what to do with NMB48. Which makes me worried about what HKT48 will sound like.
You can of course purchase this single from CDJapan by clicking the links below.
Recently the radio rip and PV preview for Smileage’s upcoming 7th single, Tachiagaaru, has been released. Which is the first single to feature the new sub-members and is the first single without Saki.
When the sub-members were first announced I was completely eager to hear the new members in action. I know a lot of S/mileage fans were worried that the new single wouldn’t even be worth buying. But I wasn’t concerned in the least about that, I knew it wasn’t likely that S/mileage was going to dissapoint me. And after listening to the song, it once again proved that S/mileage hardly ever messes up. The song isn’t anywhere near as over the top, and energetic as Uchouten Love. But it is an extremely cute song. They most likely had to have a tamer song to make it more comfortable for the new members. Especially since some of them aren’t the best singers. But on the other hand Maji Desu ka Ska wasn’t really that easy for the 9th gen. Even though the song is sung softly, it definitely has the S/mileage feel to it. The music sounds pretty much like their other songs jumbled together, and there’s a lot of background vocalizations that S/mileage seems to include in their songs a lot. And S/mileage seem to be taking this whole sub member thing to heart. The song is heavily lead by the 3 remaining original members. It seems like the sub-members only get one solo line each, which is to be expected. I’m not even sure if all the sub-members get a solo line because I’m not familiar enough with their voices yet. It sounds like Akari, Rina, and Meimi have lines. So, if they have solos most likely Kana and Fukuya have ones as well.
S/mileage was recently on Sakigake to promote their new single, so we get a short PV preview because of that. The preview is only about 20 seconds long, which is hardly enough time to really get a feel for the PV. Mostly because in that 20 seconds all we can see is the dance shot. and some small close-ups. And you can never tell if that’s all the PV is, or if there is more to it. However, the one thing you can tell about the PV is that it’s cheap. So far all we can see is S/mileage dancing on sand in front of some sort of desert background during the night and day. The set honestly reminds me of the Shortcut set, since both times they were dancing on sand. The PV also shows 2 different close-ups. One in the dance set and one group close-up. Which kind of makes it seem like that’s all there is to the PV. I wish that wasn’t the case, but we all know that idol PVs in general are usually less than spectacular.
By the way, this video is their entire apperance on Sakigake, the PV preview doesn’t start until 7:21 and than again at 7:56. But you should also be sure to watch Rinapuu singing a line of the chorus at 7:31 and sounding absolutely adorable and nearly flawless.
A while ago I said that I that I would be blogging about AAA more since, over the years AAA has grown on me. However, that hasn’t been going as smoothly as I hoped it would. Since I made that post AAA released a digital single, and announced they would be releasing a double A-side single called Call/14U on August 31. Which I just heard about now. And because of that the first A-side already has a full PV that was released last month. So, I am completely behind. But the good news is from now on I’ll be up to date with AAA. And despite Call being old news I am going to do a PV review of it shortly.
But on the subject of actual news, the radio rip for the second A-side, I4U, has just been released.
I4U sounds pretty much like a majority of AAA songs. And because of that the song gets pretty much lost in the crowd. There’s not really anything exciting in the song to make it standout against all their past songs. Which is honestly why I get bored of AAA easily. The song is simple with extremely soft music. The only interesting part of the song is when Mitsuhiro starts rapping. His rapping is usually the highlight, in my opinion, of most of their songs. It was Mitsuhiro’s rapping that made me fall in love with Music, which is probably my favorite AAA song. I really wish I wasn’t so far behind in my AAA news, because Call completely blows I4U out of the water.
The radio rip for Takahashi Ai’s solo song Jishin Motte, Yume Motte, Tobidatsu Kara featured on Morning Musume’s 47th single has been revealed. This song is only a B-side, however the full PV for this song will be included in the Limited Edition version of Morning Musume’s 12th album.
When I first listened to the song I was completely surprised. Since Ai-chan is the best singer, arguably, in Morning Musume’s history I was expecting a ballad. Something along the lines of Yume Kara Samete or Kioku no Meiro. But I actually really do like the sound of this song. It’s a nice soft rock song that sounds more like a B-side or album filler for Buono, than a song Ai would do. But Ai sounds amazing and her voice fits the song perfectly. Which just shows how Ai-chan can sing any genre of music perfectly. Which also reminds me how much it hurts to lose and amazing voice like hers. The only real complaint I have about this song is it didn’t really use Ai’s voice to her full potential. Everyone knows the that Ai-chan has an incredible range. While listening to the song I kept waiting for some high notes to come out of nowhere. I am pretty sad that they never came. Well, that and I can’t really stand that radnomly throughout the song she sings in a slightly annoying pitch. Everytime she does it, it’s like she’s trying to make her voice sound cuter than it actually is. I’ve already expressed before how much I can’t stand when she does that. It just knocks her incredible voice down a peg. Leave stuff like that to Sayumi. Not like Sayumi is ever doing it on purpose.
Having this song as a B-side just makes this upcoming single even better than it already is. I stand by my statement that this single is the best single Morning Musume has released in a while. This makes me hopeful that the 12th album will be just as good.