After Morning Musume performed one of their A-sides off their upcoming double A-side single, One-Two-Three/The Matenrou Show, we finally have the official audio via a radio rip and the dance shot version.
By now this song is so old to the fans, it’s even pretty old to me since I’ve been listening to it since it first came out. But I realized that I haven’t said anything about the song yet on this blog yet. Which is pretty awful, and I absolutely have to write about it here. But that’s all I’ll be doing in this post, writing about the song. Even though at the bottom of this post I will be posting the dance shot version I will not be commenting on it. Mostly because it will spoil my review of this PV.
Now, if you follow me on twitter or tumblr you won’t be surprised when I say right now I am 100% in love with this song. It is absoulte perfection, it’s flawless, it’s incredible, I just love it. If this song was a person we’d be married by now. Yeah, I love it that much.
But of course much like with every idol song that gets released the responce is spilt in half. And I’ve read a few people that just aren’t impressed with this song and do not like it. Which I don’t get. Mostly because nearly every Momusu fan was head over heels with Renai Hunter and One-Two-Three is basically the same style. But it’s also the same style as Renai Hunter and about 600 times better. So, I really don’t understand the indifference. When Renai Hunter was out I absoultely loved it, it was my jam. But after hearing this Renai Hunter is a little lame in comparison.
What everyone seems to dislike about this song is everything I love about it. As, I’ve said before I live in the US and the past 3 years or so the popular music has been dance music with heavy auto-tuning. And as I’ve said before, I’ve loved every single second of it. I absolutely love auto-tuning. It just makes songs catchier and more danceable. People hate auto-tuning because it makes mediocre singers sound better, which is true. But that doesn’t really stop me from hating this song or auto-tuning in general. I mean, I know some of the girls of Momusu can sing, so I’m not bothered by it.
And if the song is good people should be able to get over auto-tuning. Personally, I cannot stand dubstep. So, when I first heard Renai Hunter I was a little put off. But once I got past that, the rest of the song was awesome. Just like with this song. I love everything about it. I always thought that Ok Yeah should have been a single, so I’m thrilled to hear a song along the same lines become one. I have been listening to this song nonstop since they first performed it. It’s mature, it’s sexy, it’s fun, it’s energetic, and it’s danceable. You can’t really ask for a better song. I’m not sure how Momusu’s 51st single is going to be able to top this.
Yes, the line distribution is not ideal. But the song is so incredible that I can overlook it. The song is Riho and Reina lead, which we were all expecting so I don’t know why anyone is surprised. What is surprising to me though, is the minor leads of this song are Ayumi and Haruna. Ayumi is obviously the pushed girl of the 10th gen, but why Haruna? I guess they figure fans will respond more to her fashionable/sexy image. Which kind of sucks since she’s the weakest singer of the 10th gen. The rest of the girls seem to just get literally a syllable. Except I don’t think my beloved Zukki or Mizuki get solo lines at all. Which is a little ridiculous. But I’m not really that bothered because Zukki doesn’t really fit this type of song anyway. Hopefully she’ll be able to shine more in The Matenrou Show. And if not at least she’ll stil have the 9th gen B-side.