The PV preview for KAT-TUN’s new single, To The Limit, is out.
I am absolutely in love with this song and I am also pleasantly surprised that the PV matches up to the amazingness of the song. It’s not the type of PV you really expect from an idol group. It’s not even the type of PV you’d expect after hearing the song. But at the same time I think it really works. There’s a lot of effort put into this PV. It seems to have a big budget and a clear storyline. And it’s so different from past KAT-TUN PVs. KAT-TUN usually has pretty decent PVs, but they hardly ever have storylines.
The previews so far show the members of KAT-TUN all being in a bank during a robbery. Kame, Maru, and Koki work there, while Taguchi and Ueda are hostages. It’s a bit of a darker theme compared to the realativly happy or mature PVs KAT-TUN usually makes. And I’m assuming the lyrics of the song work well with the theme. Since they’re most likely about being stretched to the limit in some way. But I don’t speak Japanese, so I have no idea.
The only drawback of this PV are that it’s probably supposed to be taken more seriously then it seems. There are parts of this PV that I can’t help think are adorable or hilarious. Which probably wasn’t the intention at all. Also, I kind of wish Koki worked in the bank itself instead of being a security guard. Him in a suit and glasses would have been pretty sexy. Ridiculous hair or not.
The PV preview for Yamapi’s 2nd solo single since leaving NEWS, Love Chase, has recently been released.
Am I the only one who thinks it’s hilarious how little effort is being put into Yamapi’s career post NEWS. Well, PV wise anyway. I don’t care enough to know if he’s doing concerts or appearances. He leaves NEWS just to have this medicore solo career. And it’s not even like he’s doing more once he left NEWS. His solo singles are being released just as frequently as when he was a part of NEWS, and he was in a drama. Pretty much just like he would be doing with NEWS. Sorry, but I’ll never stop being bitter about this.
But moving on to the topic at hand, I have to admit I actually do like his solo singles. But it’s more of a love/hate thing. His singles are really danceable and catchy. However, no matter how much he’s been pushing himself into the role, his voices has never suited dance music. He’s better suited for soft ballads. So, he’s in this weird place where the overall sound of his music is good but he’s voice sounds out of place. At least for me anyway.
And his PVs aren’t much better. This PV so far looks just awful. It’s basically nothing but Yamapi dancing in different outfits, sometimes with a girl, on a plain gray backdrop. Really cutting edge there Warner. There is absolutely no effort in this PV at all. It seems like the director is just hoping you won’t care boring the PV is and just focus on the fact that there’s 3 Yamapi’s.
And I might me able to if his new haircut wasn’t so hideous. It looks fine went it’s styled a bit, but when it’s just laying flat it’s terrible. And the outfits he’s wearing aren’t helping much either. One of them looks like he’s ready to play golf or teach high school English. The other one is him in a trenchcoat. Which is ridiculous because no one wears them indoors unless they’re Columbo. And the last outfit is supposed to be the idol outfit for the fans. Since he’s wearing an effeminate parka and a skin tight shirt. Which I do admit I kind of like. Except for the ripped pants.
I’ve just so over Yamapi to be honest. When he was in NEWS he was never anything more than the guy who could sing and was eyecandy. That hasn’t really changed much now, except you add the animosity I still have towards him.
Last month the full radio rip for Kikka’s 4th single, Koko Kara Hajimarunda was released.
I do apologize dear readers for how old this is and for how long it took me to make this post. But luckily since the single isn’t coming out until July there hasn’t been a PV preview yet and I still have time to write about the radio rip.
The more music I hear by Kikka the more upset I get that H!P let her just float around in the Eggs for so long. Absolutely everything about Kikka is just perfect and flawless. With each release I fall more and more in love with her and her music. And this song does not disappoint at all.
Since debuting Kikka has been releasing a lot of upbeat dance music. And this song seems to be following that pattern. This song has this computerized and electronic sound which I absolutely love. They also managed to do this without adding too much effects to her voice. I think the little bit they added was just the right amount and worked perfectly. Overall the whole sound of the song is just amazing. It’s fun, it’s catchy, and it’s upbeat. And it’s sung with the same seamlessness as all of Kikka’s songs.
Recently the radio rip for the second A-side from Morning Musume’s upcoming 50th single, One-Two-Three/The Matenrou Show, was released.
Now, I just made a post about the One-Two-Three radio rip and said how much I absolutely loved the song. So, I was expecting a lot from this song. I was really hoping for their 50th single to be just perfect. However, this song has to come along and ruin that. Coming after the epicness that is One-Two-Three this song is awful in comparison. Just what happened? Tsunku said that this song was going to be funky so I expected it to be a lot of fun. Especially after how sexy and mature One-Two-Three is.
Instead we get a song that is also mature and sounds like a mix between Morning Musume’s Inspiration and Berryz Koubou’s Shining Power. Which sounds like a winning combination. But somehow it’s just not. And I do like disco-esque songs but for some reason I just have no attachment to this song. It just sounds kind of flat and lifeless. I kept waiting for it to get better and it never did. I don’t know why this single is a double A-side because honestly this song is much more suited as a B-side.
And what in the world is going on with the line distribution? I seriously feel like flipping tables over it. Did the entire world teleport back to 2008 when I wasn’t looking or something? The entire song is sung by Riho and Reina. The entire song! Now, when One-Two-Three came out I didn’t care that it was sung by basically no one but Riho and Reina ,because most girls at least got a little solo. And I was also holding out for this single for the other girls to shine. However, that is so far from the case and the other girls get nothing. And my god, my poor baby Zukki doesn’t have a line in either songs! I get it, Reina and Riho are popular. But that’s only because the other memebers aren’t even given a chance to build a fanbase. They added new members but are still making the same mistakes they did in 2008. What in the world is management thinking? I swear if I didn’t love this group and the girls so much stuff like this would make me give up on Momusu. I’m honestly sick of it. It’s absolutely insane that when Morning Musume was at it’s largest the line distribution was more fair than it is now!
A few days ago the radio preview for Fairies song Tweet Dream, off their upcoming doublr A-side 4th single, has been released.
I can honestly say that I wasn’t expecting the song to sound the way it does at all. I’ve grown accustomed to Fairies mature sound. It’s actually what drew me to them in the first place. That they were so different than other idol groups. Tweet Dream is actually too cute of a song and the complete opposite of what I expect from them. I do realize that this isn’t their first time releasing this type of song. But Sweet Jewel was a better song and had a charm to it. Granted that charm came from the fact that is sounds a lot like Diamonds by Princess Princess.
I’m just really disappointed by this song. It’s lacking the power and emotion of their other songs. It doesn’t pack a punch at all. Most of their other songs draw me in with a catchy chorus or interesting music. They are going for this cutesy electronic sound that just does not work for them. Ironically, if practically any other group made this song I might enjoy it more. Though I’m not 100% sure about that. As I’ve said before I hate songs that don’t pick up in the chorus and stay the same level the entire song. Which is exactly what this song is doing. The music also isn’t bold enough. I love all the cute background effects because they remind me of Internet Cupid by Buono. I just wish they were used more.
After Morning Musume performed one of their A-sides off their upcoming double A-side single, One-Two-Three/The Matenrou Show, we finally have the official audio via a radio rip and the dance shot version.
By now this song is so old to the fans, it’s even pretty old to me since I’ve been listening to it since it first came out. But I realized that I haven’t said anything about the song yet on this blog yet. Which is pretty awful, and I absolutely have to write about it here. But that’s all I’ll be doing in this post, writing about the song. Even though at the bottom of this post I will be posting the dance shot version I will not be commenting on it. Mostly because it will spoil my review of this PV.
Now, if you follow me on twitter or tumblr you won’t be surprised when I say right now I am 100% in love with this song. It is absoulte perfection, it’s flawless, it’s incredible, I just love it. If this song was a person we’d be married by now. Yeah, I love it that much.
But of course much like with every idol song that gets released the responce is spilt in half. And I’ve read a few people that just aren’t impressed with this song and do not like it. Which I don’t get. Mostly because nearly every Momusu fan was head over heels with Renai Hunter and One-Two-Three is basically the same style. But it’s also the same style as Renai Hunter and about 600 times better. So, I really don’t understand the indifference. When Renai Hunter was out I absoultely loved it, it was my jam. But after hearing this Renai Hunter is a little lame in comparison.
What everyone seems to dislike about this song is everything I love about it. As, I’ve said before I live in the US and the past 3 years or so the popular music has been dance music with heavy auto-tuning. And as I’ve said before, I’ve loved every single second of it. I absolutely love auto-tuning. It just makes songs catchier and more danceable. People hate auto-tuning because it makes mediocre singers sound better, which is true. But that doesn’t really stop me from hating this song or auto-tuning in general. I mean, I know some of the girls of Momusu can sing, so I’m not bothered by it.
And if the song is good people should be able to get over auto-tuning. Personally, I cannot stand dubstep. So, when I first heard Renai Hunter I was a little put off. But once I got past that, the rest of the song was awesome. Just like with this song. I love everything about it. I always thought that Ok Yeah should have been a single, so I’m thrilled to hear a song along the same lines become one. I have been listening to this song nonstop since they first performed it. It’s mature, it’s sexy, it’s fun, it’s energetic, and it’s danceable. You can’t really ask for a better song. I’m not sure how Momusu’s 51st single is going to be able to top this.
Yes, the line distribution is not ideal. But the song is so incredible that I can overlook it. The song is Riho and Reina lead, which we were all expecting so I don’t know why anyone is surprised. What is surprising to me though, is the minor leads of this song are Ayumi and Haruna. Ayumi is obviously the pushed girl of the 10th gen, but why Haruna? I guess they figure fans will respond more to her fashionable/sexy image. Which kind of sucks since she’s the weakest singer of the 10th gen. The rest of the girls seem to just get literally a syllable. Except I don’t think my beloved Zukki or Mizuki get solo lines at all. Which is a little ridiculous. But I’m not really that bothered because Zukki doesn’t really fit this type of song anyway. Hopefully she’ll be able to shine more in The Matenrou Show. And if not at least she’ll stil have the 9th gen B-side.
A preview for KAT-TUN’s upcoming new single, To The Limit, was recently aired on Kame’s radio show.
Anyone and everyone who happens to be reading this post absoultely MUST listen to this radio rip, whether you’re a KAT-TUN or male idol fan or not. This is by far the greatest KAT-TUN singles I’ve ever heard. And it’s easily one of their best, if not the best, songs period. I have listened to this song about 15 times now. I litererally cannot express in words just how completely phenomenal this song is. I mean, the song is so intense that at one point in the song Koki actually says fucking my mind. Now, normally that would be hilarious, but for some reason it actually works in this song.
If I was to describe this song it’s like old school rockish KAT-TUN, but a hundred times better. It’s like if you somehow mixed Real Face, Gold, Taboo, Lips, and Don’t You Ever Stop and played them simultaneously. The song is just absoultely incredible. It just has this amazing blarring rock music but still sort of heavy dance music mixed in at the same time. I have never been this impressed with a KAT-TUN song ever.
I also really love the way it’s sung. Most of the verse is rapping. But it’s not the usual just Koki rapping. Of course Koki does lead the rapping, but everyone else is also rapping. Which actually sounds better than you would expect. Especially since Koki always tries to get the members to rap in concert and only Taguchi could ever really keep up. But of course like most songs the best part is the chorus, but not really by much because the verse and bridge are seriosuly just as good. It’s just that the chorus is sung extremely powerfully. It’s just just amazing. And it sounds like Koki has some solos in the chorus which is amazing. Featuring Koki so much in the song really adds a nice roughness and gruffness to the song. And Koki bias aside, he’s absoultely perfect for this type of song. Of course Kame does have a lot of solos too, he has this big solo part towards the end of the song. But even during group parts you can hear Koki’s voice the most.
A few days ago the PV preview for Mano Erina’s upcoming 12th single, Song For The Date, was released.
After watching the PV preview there are just no words. I am just literally and absolutely blown away. And I actually uttered a sentence that I don’t say very often, “I’m really impressed with everything ManoEri is doing.” And I really am because everything is just amazing. The song is this wonderful dance track with infectious music. And the song isn’t too big for her voice. It actually compliments her nails on a chalkboard singing voice. Oh, but I kid with ManoEri. The truth is I actually kind of like her now. Her music and personality have slowly been growing on me since Sekai wa Summer Party was released. And her music has gradually gotten better. It’s gone from boring ballads to this happy and energetic dance music that I love.
The PV so far is just perfection. Dear god, there’s actually a storyline. A H!P PV with an actually storyline, surely this is the start of the apocalypse. And not only does this PV have a storyline, it’s actually a really cool one. It’s basically about 2 ManoEri’s in this disaster-stricken or post-apocalyptic world. There’s a bad ManoEri dressed in black, and a good ManoEri dressed in white. Which adds to the characters that she’s playing. And for that alone I give them 500 points for symbolism. And the black ManoEir has her hair down, which makes her look more mature. And the white ManoEri has her hair up makes her look more sweet and innocent.
Since this is only 30 seconds I can’t be 100% about what’s going on past that, but it seems like white ManoEri is some sort of political figure or revolutionary because she has her posters all over the town. Which angers the black ManoEri who burns and throws her posters and chases after the white ManoEri. Who kinda teases the black one, so maybe this is all just some sort of game? I don’t even know. But whatever is really going on it’s awesome. I mean, there are feathers exploding behind her for no apparent reason!
If there’s anyone out there who has lost faith in H!P, they seriously need to watch this when the full PV comes out. There’s no doubt in my mind that it’s going to incredible.
Recently a PV preview for Kanjani8’s upcoming single Ai Deshita was released. The song is currently being used as the theme for Nishikido Ryo’s drama Papadoru.
Now, even before Ryo-chan left NEWS I’ve been saying how I want to get into Kanjnai8 more. But that never really happened. And after Ryo left NEWS obviously that feeling intensified. However, when I was finally going to get into Kanjani8 I put all my effort into Arashi instead. Which is a little sad because I genuinely do want to get into Kanjani8, especially since it’s now the only way I get to see my beloved Ryo-chan.
Since I don’t really follow K8 that closely I never really know about, or care about, when their new single is coming out. So I kind of miss all the excitement of a song and PV preview. But since I’ve been watching Ryo’s drama, Padadoru, Ai Deshita has really grown on me. Just like watching Zenkai Girl made Tsubasa ni Koi grow on me. So, I’ll bite and see what this single is like..
First off, I really like what I see of the PV so far. Kanjani8 always put a lot of effort into their PVs. Whether that effort is a nice storyline or general crazyness. The Ai Deshita PV doesn’t seem to be any different. Most of the PV so far seems to be Kanjani8 playing their instruments in the middle of the road at sunset. Which, in itself, isn’t really any spectacular. But at the end of the PV we do see that the sky continues to get darker until it’s night, which is actually pretty cool. I’m impressed by that. And can I just say that I love the outfits. I have to say that varsity jackets and school cardigans definetly peak my interests.
The rest of the PV is the standard close-up shots and scenes of the members in a house. But you can tell that they are setting up for more elements in the full PV. And is it just me or does that house look like the same exact that they filmed the Glorious PV in?
There is one thing about this song/PV I don’t get. If this is the them for Ryo’s drama why does Subaru get most of the lines and most of the focus in the PV? It’s a little unfair. But my bias towards Ryo is probably making it a bigger deal than it really needs to be.